In a recent development within South Africa’s entertainment and traditional healing communities, comedian Tol

AMohasignitedcontroversybyaccusingrenownedtraditionalhealersGogoMaweniandGogoSkhotheniofendangeringtheirchildslivesthroughtheuseof′muti′—atermreferringtotraditionalAfricanmedicine.

Intresting things to know about Gogo Skhotheni - Mbare Times

Theseallegationshaveledtoaheatedexchange,withthealersrespondingvehementlyanddirectingthreatstowardTolA Mo has ignited controversy by accusing renowned traditional healers Gogo Maweni and Gogo Skhotheni of endangering their childs lives through the use of ‘muti’—a term referring to traditional African medicine. These allegations have led to a heated exchange, withthealers responding vehemently and directing threats toward Tol A Mo’s family.

Controversial Sangoma Gogo Maweni Is Grateful to cestors After ...

Tol A$$ Mo, known for his candid commentary, recently appeared on the “Podcast and Chill” show, where he criticized Gogo Maweni and Gogo Skhot for allegedly using muti in ways that jeopardize their children’s well-being.

He specifically accused Gogo Ma of making her child ill and implicated Gogo Skhotheni in similar practices. These statements have sparksnificant backlash from the traditional healing community and the ic.

In response, Gogo Skhotheni took to TikTok to express her outrage. Visibly distressed, she condemned Tol A$$ Mo’s remarks, emphasi the pain caused by his comments, especially concerning her late son.

Gogo Maweni arrested for murder: Here’s everything we know - Swisher Post

She stated, “It’s always these ones with courcases speaking sh*t ghlighting her disdain for his insensitivity.

Gogo Maweni also addressed the accusations, vehemently denying any wrongdo d expressing her intent to take legal action against Tol A$$ Mo for defamation.

She emphasized her dedication to her children and her practirefuting any claims of endangering her family through her traditional healing methods.

The situation escalated as both Gogo Maweni and Gogo Stni issued warnings to Tol A$$ Mo, suggesting that his comments have consequences.

Gogo Skhotheni, in particular, implied that she would nolerate attacks on her family and hinted at potential repercussions for his actions.

Gogo Skhotheni Biography: Age, Husband, Baby, Numbers, Products - style ...

This incident has ignited a broader conversation about the intersection of tradnal practices and modern societal norms in South Africa.

While traditional healing is a respected practice within many communities, it often faces scrutiny and misunderstanding f ose outside these cultural frameworks. The clash between Tol A$$ Mo and the two traditional healers underscores the tensions that can arise when cultural practices publicly criticized without nuanced understanding.

In the aftermath of the controversy, Tol A$$ Mo issued a public apology to Gogo Skhotheni,cknowledging the inntivity of his comments and the pain they caused. He expressed remorse for his remarks, stating that he did not intend to cause harm and regretted the distress inflicted upon her and her family.

Controversial Sangoma Gogo Maweni Gives Back to Former Prison Mates ...

Despite the apology, the incident has left a lasting impact, with ongoing discussions about respect, cultural sensitivity, and the responsibilities of public figures when commenting on practices they may not fully understand.

Texchange serves as a reminder of the importance of approaching cultural differences with empathy and caution, especially in public discourse.

As the situation develops, it remains to be seen how the relationships between these public figures will evolve and what broader implications this controversy may have on the perception of traditional healing practices in South Africa.

For a more in-depth perspective on this topic, you might find the following video informative:

Video

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.